๐๐ข๐ฏ๐, ๐จ๐ง๐ฅ๐ข๐ง๐, ๐จ๐ง ๐ญ๐ก๐ ๐
๐๐๐๐๐จ๐จ๐ค ๐ฉ๐๐ ๐๐ฌ ๐จ๐ ๐๐๐๐ญ๐ซ๐๐ฅ๐ฅ๐ข, ๐๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ ๐๐ง๐ ๐๐จ๐๐ญ๐ก๐-๐๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ ๐๐ฎ๐๐ฎ๐ซ๐๐ฌฬฆ๐ญ๐ข
๐.๐๐.๐๐๐๐, ๐ ๐๐ (๐๐ฎ๐๐ก๐๐ซ๐๐ฌ๐ญ ๐ญ๐ข๐ฆ๐)
๐๐ง ๐๐ง๐ ๐ฅ๐ข๐ฌ๐ก, ๐ฐ๐ข๐ญ๐ก๐จ๐ฎ๐ญ ๐ญ๐ซ๐๐ง๐ฌ๐ฅ๐๐ญ๐ข๐จ๐ง
๐.๐๐.๐๐๐๐, ๐ ๐๐ (๐๐ฎ๐๐ก๐๐ซ๐๐ฌ๐ญ ๐ญ๐ข๐ฆ๐)
๐๐ง ๐๐ง๐ ๐ฅ๐ข๐ฌ๐ก, ๐ฐ๐ข๐ญ๐ก๐จ๐ฎ๐ญ ๐ญ๐ซ๐๐ง๐ฌ๐ฅ๐๐ญ๐ข๐จ๐ง
Walking in public gained new meaning with the pandemic. An ancient and everyday ritual became an integral part of the new normality. People meet, walk, stroll through districts, play in landscapes, and perceive their environment anew with every stride.
In the context of entering the fourth wave of the COVID-19 pandemic, which implies new restrictions and new challenges for the theatre world, on October 1st will take place the launching of the Romanian version of ๐๐๐ ๐๐ผ๐๐๐ – an experimental performance created by the famous theatre label Rimini Protokoll in Berlin, in co-production with creart / Teatrelli and in partnership with Goethe-Institut Bucharest.
ย ๐๐๐ ๐๐ผ๐๐๐ is a collection of short audio experiences covering specific locations in the city, such as supermarket, theater, park, street, etc., being an invitation to rediscover and interact with your environment and grasping walking as a theatrical scenario.The script and direction of ๐๐๐ ๐๐ผ๐๐๐ are signed by Helgard Haug, Stefan Kaegi, and Daniel Wetzel, the three directors who founded in 2000 the famous Rimini Protokoll theater label, awarded, among others, with the Faust Theatre Prize, the European Award โNew Realities in Theatreโ or the Silver Lion at the Venice Biennale for performing arts.
๐๐ง ๐ญ๐ก๐ข๐ฌ ๐จ๐๐๐๐ฌ๐ข๐จ๐ง ๐ฐ๐ ๐ข๐ง๐ฏ๐ข๐ญ๐ ๐ฒ๐จ๐ฎ ๐จ๐ง ๐๐๐ญ๐จ๐๐๐ซ ๐๐ฌ๐ญ, ๐๐ญ ๐ ๐๐ (๐๐๐๐ ๐ญ๐ข๐ฆ๐) ๐ญ๐จ ๐๐ง ๐ฎ๐ง๐ข๐ช๐ฎ๐ ๐๐ข๐๐ฅ๐จ๐ ๐ฎ๐ ๐ฐ๐ข๐ญ๐ก ๐๐๐ฅ๐ ๐๐ซ๐ ๐๐๐ฎ๐ ๐๐ง๐ ๐๐ญ๐๐๐๐ง ๐๐๐๐ ๐ข ๐๐ซ๐จ๐ฆ ๐๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ, ๐ฆ๐จ๐๐๐ซ๐๐ญ๐๐ ๐๐ฒ ๐๐๐ญ๐๐ฏ๐ข๐๐ง ๐๐๐ข๐ฎ, ๐ฉ๐ซ๐จ๐๐๐ฌ๐ฌ๐จ๐ซ, ๐ฌ๐๐ก๐จ๐ฅ๐๐ซ ๐๐ง๐ ๐ฉ๐ซ๐จ๐๐๐ฌ๐ฌ๐ข๐จ๐ง๐๐ฅ ๐ญ๐ก๐๐๐ญ๐ซ๐ ๐๐ซ๐ข๐ญ๐ข๐.
The dialogue will concentrate on the experimental production ๐๐๐ ๐๐ผ๐๐๐, but also on the future of theatre, which is โ probably more than ever – challenged to find new hybrid and digital formats, to experiment and innovate, in order to survive.
ย More details about the dialogue here:ย https://teatrelli.com/…/helgard-haug-and-stefan-kaegi…/—-
(RO)
(RO)
๐๐๐ฅ๐ ๐๐ซ๐ ๐๐๐ฎ๐ ๐ฌฬฆ๐ข ๐๐ญ๐๐๐๐ง ๐๐๐๐ ๐ข ๐๐ ๐ฅ๐ ๐๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ ๐ขฬ๐ง ๐๐ข๐๐ฅ๐จ๐ ๐๐ฎ ๐๐๐ญ๐๐ฏ๐ข๐๐ง ๐๐๐ข๐ฎ
๐๐ข๐ฏ๐, ๐จ๐ง๐ฅ๐ข๐ง๐, ๐ฉ๐ ๐ฉ๐๐ ๐ข๐ง๐ข๐ฅ๐ ๐๐ ๐
๐๐๐๐๐จ๐จ๐ค ๐๐๐๐ญ๐ซ๐๐ฅ๐ฅ๐ข, ๐๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ ๐ฌฬฆ๐ข ๐๐จ๐๐ญ๐ก๐-๐๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ ๐๐ฎ๐๐ฎ๐ซ๐๐ฌฬฆ๐ญ๐ข
๐.๐๐.๐๐๐๐, ๐ ๐๐ (๐จ๐ซ๐ ๐๐ฎ๐๐ฎ๐ซ๐๐ฌฬฆ๐ญ๐ข๐ฎ๐ฅ๐ฎ๐ข)
๐ฬ๐ง ๐ฅ๐ข๐ฆ๐๐ ๐๐ง๐ ๐ฅ๐๐ณ๐ฬ, ๐๐ฬ๐ซ๐ฬ ๐ญ๐ซ๐๐๐ฎ๐๐๐ซ๐
๐.๐๐.๐๐๐๐, ๐ ๐๐ (๐จ๐ซ๐ ๐๐ฎ๐๐ฎ๐ซ๐๐ฌฬฆ๐ญ๐ข๐ฎ๐ฅ๐ฎ๐ข)
๐ฬ๐ง ๐ฅ๐ข๐ฆ๐๐ ๐๐ง๐ ๐ฅ๐๐ณ๐ฬ, ๐๐ฬ๐ซ๐ฬ ๐ญ๐ซ๐๐๐ฎ๐๐๐ซ๐
Odatฤ cu pandemia, mersul pe jos รฎn spaศiul public a cฤpฤtat un nou sens. Un ritual strฤvechi ศi cotidian a devenit o componentฤ de bazฤ a noii normalitฤศi: oamenii se รฎntรขlnesc, se plimbฤ, umblฤ prin cartiere, se joacฤ รฎn naturฤ ศi รฎศi redescoperฤ vecinฤtฤศile cu fiecare plimbare.
รn contextul รฎn care am intrat รฎn valul patru al pandemiei de COVID-19, care presupune noi restricศii ศi noi provocฤri pentru scena teatralฤ, pe 1 octombrie va avea loc lansarea versiunii รฎn limba romรขnฤ a aplicaศiei ๐๐๐ ๐๐ผ๐๐๐, spectacol-experiment realizat de celebra companie Rimini Protokoll din Berlin, รฎn co-producศie cu creart/Teatrelli ศi รฎn parteneriat cu Goethe-Institut Bucureศti.
ย ๐๐๐ ๐๐ผ๐๐๐ este o colecศie de scurte spectacole audio concepute pentru locuri specifice din oraศul tฤu ศi o invitaศie de a-ศi redescoperi รฎmprejurimile ศi de a interacศiona cu ele, รฎnศelegรขnd mersul pe jos ca pe un scenariu teatral.Textul ศi regia producศiei ๐๐๐ ๐๐ผ๐๐๐ sunt semnate de Helgard Haug, Stefan Kaegi ศi Daniel Wetzel, cei trei regizori care au fondat รฎn anul 2000 celebrul colectiv de teatru Rimini Protokoll din Berlin, distins, printre altele, cu Premiul European de Teatru โ Premio Europa โ la categoria Noi Realitฤศi รฎn Teatru sau Leul de Argint la cea de-a 41-a Bienalฤ de Teatru de la Veneศia.
๐๐ฎ ๐๐๐๐๐ฌ๐ญ๐ฬ ๐จ๐๐๐ณ๐ข๐, ๐ฏ๐ฬ ๐ข๐ง๐ฏ๐ข๐ญ๐ฬ๐ฆ ๐ฉ๐ ๐ ๐จ๐๐ญ๐จ๐ฆ๐๐ซ๐ข๐, ๐๐ ๐ฅ๐ ๐จ๐ซ๐ ๐๐.๐๐ (๐จ๐ซ๐ ๐๐ฎ๐๐ฎ๐ซ๐๐ฌฬฆ๐ญ๐ข๐ฎ๐ฅ๐ฎ๐ข), ๐ฅ๐ ๐ฎ๐ง ๐๐ข๐๐ฅ๐จ๐ ๐๐ ๐๐ฑ๐๐๐ฉ๐ญฬฆ๐ข๐ ๐๐ฎ ๐๐๐ฅ๐ ๐๐ซ๐ ๐๐๐ฎ๐ ๐ฌฬฆ๐ข ๐๐ญ๐๐๐๐ง ๐๐๐๐ ๐ข ๐๐ ๐ฅ๐ ๐๐ข๐ฆ๐ข๐ง๐ข ๐๐ซ๐จ๐ญ๐จ๐ค๐จ๐ฅ๐ฅ, ๐ฆ๐จ๐๐๐ซ๐๐ญ ๐๐ ๐ฉ๐ซ๐จ๐๐๐ฌ๐จ๐ซ๐ฎ๐ฅ, ๐๐๐ซ๐๐๐ญ๐ฬ๐ญ๐จ๐ซ๐ฎ๐ฅ ๐ฌฬฆ๐ข ๐๐ซ๐ข๐ญ๐ข๐๐ฎ๐ฅ ๐๐ ๐ญ๐๐๐ญ๐ซ๐ฎ ๐๐๐ญ๐๐ฏ๐ข๐๐ง ๐๐๐ข๐ฎ.
Dialogul va aduce รฎn discuศie producศia-experiment ๐๐๐ ๐๐ผ๐๐๐, dar ศi viitorul teatrului, รฎntr-o perioadฤ รฎn care โ poate mai mult ca oricรขnd โ artele spectacolului sunt supuse provocฤrii de a gฤsi noi formate hibride ศi digitale, de a experimenta ศi a inova, pentru a supravieศui.
ย Mai multe detalii despre dialog aici:ย https://teatrelli.com/…/helgard-haug-and-stefan-kaegi…/
